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INT. KITCHEN_OLD HOUSE_(CONT.) Kemper looks around and sees all the feathers and bones hanging in the air. INT. BASEMENT_OLD HOUSE_(CONT.) Andy, Pepper and Morgan finish walking down the stairs and make their way further down into the pitch-black basement. They all look around to see pipes clinging to all the sides of the walls. Steam erupts from them slowly. Noise forms all around them. They all look around for a light switch. Morgan looks around under one of the pipes and a light switch. ANDY Could someone turn on a light? MORGAN I'm working on it! Morgan finally switches on a light. A loud steam can be heard from above them. They all look up and watch as lights flicker on and off at the end of the wet hallway. Water drips from the pipes. They all start to walk forward. A single door lies at the end of the hallway. ANDY Do you think there's even a phone in there? PEPPER There's only one way to find out. They all start to walk down the hallway slowly, looking around from time to time. INT. KITCHEN_OLD HOUSE_(CONT.) Kemper looks around some more and cringes. He turns around and makes his way back into the INT. DINING ROOM_OLD HOUSE_(CONT.) Erin continues to look through the old box. Kemper joins her. ERIN Look at this stuff... Old records and vases can be seen all over the place. Old pictures from the 1800's are with it. Erin picks up an old broken telephone. ERIN If only it worked. Erin huffs and looks around some more. Kemper joins her and picks up an old vase. Suddenly, a loud bang can be heard behind them. Erin suddenly drops what she was looking at and looks ahead of herself, breathing deep. ERIN What the hell was that? She looks over at Kemper, who shrugs. They both walk towards the hallway and look around. INT. HALLWAY_OLD HOUSE_(CONT.) They both look around. ERIN Where is everybody? KEMPER I don't know... They look past the stairs and see another room, the INT. LIVING ROOM_OLD HOUSE_(CONT.) A single couch can be seen in the corner of the room, along with an old small table with an antique cord phone. Erin sees it and runs towards it. She picks it up and tries to dial. She stops and sits still, the phone glued to her ear. ERIN Hello? Silence. She throws down the phone and sighs. She turns around and bumps into Kemper. KEMPER So? ERIN There's no dial tone. KEMPER Shit...Are you sure you saw someone? ERIN Someone has to be here. Why would all this shit be here? KEMPER I don't know... Erin looks behind her to see another door. She walks towards it and opens it. She screams as she bumps into Andy, Pepper and Morgan. They all jump and breathe hard. PEPPER Did you find anything? ERIN Old collectables and a broken phone. MORGAN That's just perfect. KEMPER Where were you guys? ANDY Basement. We didn't find much. Just a locked door and some old pipes. ERIN Let's just go back to the yard. ANDY What about a phone? We need to fix the van and Jane's missing. MORGAN Who cares about Jane!? PEPPER Did you guys check upstairs? ERIN Nope. ANDY I'll stay in here and try to find a phone. You guys can just wait outside, alright? PEPPER But Andy, I- ANDY Pepper, just go outside. It'll be fine. They all nod and start to walk outside. Pepper stands with Andy. PEPPER You sure you don't need any help? ANDY I'll be perfectly fine. Pepper smiles and kisses him for a long time. She lets him go and starts to walk away, his hand her hers. She lets it go and walks out of the house. He sighs and walks towards the hallway. INT. HALLWAY_OLD HOUSE_(CONT.) Andy steps inside the hallway and looks up the stairs. ANDY Hello? Is anyone here? There is a slight noise behind the closed slide door. He slowly walks towards it and continues to look around. He makes his way to the sliding door and knocks on it. ANDY Hello? Nothing. He looks through the peephole and looks around. He sees nothing and suddenly backs away. He sighs and looks around, trying to find a phone. He continues to stand in front of the door while still trying to find someone or something. EXT. BACKYARD_OLD HOUSE_(CONT.) Everyone sits back down in front of the greenhouse. They all sigh. PEPPER If he's not back in ten minutes, I'm going in there. INT. HALLWAY_OLD HOUSE_(CONT.) ANDY Hello? We need help is anyone there? Silence. Andy turns and opens the door to the basement. INT. BASEMENT_OLD HOUSE_(CONT.) Andy walks down the stairs and makes his way down the now lit basement hallway. The door at the end of the hallway remains the same. He finally makes his way to the door and tries to open it, but it won't budge. He kicks on it, but nothing happens. He kicks at it one more time and pounds on it. Suddenly, it opens, and he falls inside. INT. ROOM_BASEMENT_OLD HOUSE_(CONT.) Andy gets up from the wet and feather filled floor and dusts himself off. He looks up to see meat hanging from hooks all over the ceiling. He holds his nose and watches as flies fly around everywhere. He looks around more to see feathers all around the floor. Bones hang from the ceiling as well. He cringes and walks out of the room. INT. BASEMENT_OLD HOUSE_(CONT.) Andy covers his nose as he runs down the hall and back towards the door. He makes his way up the stairs and opens the door to the INT. HALLWAY_OLD HOUSE_(CONT.) He shuts the door and closes his eyes in disgust. He stands next to the closed sliding door and sighs. He brushes his hand through his hair and closes his eyes once again. Suddenly, the sliding door opens and Leatherface stands there wearing a bloody apron and rubber gloves. ANDY (turns around) OH SHIT! Leatherface screams as Andy starts to run towards the door. Leatherface runs after him quickly! Andy tries to open the door, but turns to see Leatherface nearly inches away from him. He turns and starts to run up the stairs, followed by Leatherface! INT. UPSTAIRS_OLD HOUSE_(CONT.) Andy runs down a long hallway and turns into a room we have not seen before. He enters it and shuts the door and locks it, just as Leatherface pounds on the door. INT. ROOM_OLD HOUSE_(CONT.) Leatherface continues to pound on the door while Andy looks around for a place to escape. There is nothing. ANDY SHIT! As the pounding continues, we see Andy run towards a closed window. He pounds on it, but it does not move! As he runs towards the door, Leatherface's hand comes crashing through it, reaching for him, but he backs away. Suddenly, the door comes crashing down and Leatherface stands there, screaming through the thick mask. Andy backs away into a corner and tries to fight him off. Leatherface tries to grab him just as Andy runs out of the room and down the stairs. INT. HALLWAY_OLD HOUSE_(CONT.) Andy makes his way to the front door, Leatherface running after him wildly. He manages to open it, but doesn't have enough time to get through it. Leatherface grabs him, putting his bloody hand over his mouth. Leatherface shuts the door with a loud bang. INT. HALLWAY_OLD HOUSE_(CONT.) Leatherface still holds onto Andy, who kicks and screams wildly. He grabs him and throws him into the open sliding door, sending him toppling down the wet stairs. Leatherface walks in and slams the sliding door right into the CAMERA. INT. DARK ROOM_OLD HOUSE_(CONT.) As Andy comes falling down to the wet ground, he looks up to see Leatherface coming right after him! He stands up and starts to run to the end of the room, finally facing a corner! ANDY Shit! Leatherface grabs his bloody chainsaw from the table and starts it up, letting us hear the buzz all around the screen. Andy makes his way into the other room, where all the hooks lay in the air. There is nowhere to hide now. As he turns around, he sees Leatherface standing right in front of him, waving his chainsaw in the air! Andy screams as the chainsaw comes down and slices into his stomach! Blood pours everywhere as Andy pulls his head back, just as blood comes pouring out of his mouth. Andy's distant screams fade away as we CUT TO: EXT. BACKYARD_OLD HOUSE_(CONT.) Everyone still stands still, looking around and waiting for Andy to get back. PEPPER It's been long enough. I'm going in there. ERIN Pepper, just wait, okay? He'll be out in a second. It takes a long time to tell the cops exactly where this house is located. KEMPER Yeah, Kemper, I mean, I couldn't even tell anyone directions to where this place is. ERIN Which is probably why he's taking so long. MORGAN The guy's a jackass, what can you do? Morgan looks around just as Pepper approaches him. He looks up and smiles. PEPPER How's that lip? MORGAN Better. Suddenly, Pepper punches him right in the lip! Morgan goes flying back for a second and then comes back up, holding his bloody lip. Erin and Kemper laugh. MORGAN Bitch. Pepper air kisses him and sits down. She sighs and looks at Morgan, who stops the blood flow with his shirt. PEPPER If he isn't here in five minutes, I'm going in there, whether you like it or not. Morgan rolls his eyes as Erin and Kemper hold eachother and sigh. EXT. OLD HOUSE_DAY We stare at the lonely house for a moment or two, then follow back in the EXT. BACKYARD_OLD HOUSE_LATER Everyone is the same as they were but Pepper cannot stand it any longer. She stands up and walks towards the porch. MORGAN Where are the hell are you going? PEPPER I'm going to go find Andy. ERIN Pepper, I'm coming with you. KEMPER So am I. Pepper, Erin, and Kemper start to walk off into the corner. Morgan stands still, and then gets up and walks towards them. INT. HALLWAY_OLD HOUSE_(CONT.) We watch as Pepper, Erin, Kemper, and Morgan walk in slowly through the front door. They all look around, but see nothing than the same thing they had all seen before. MORGAN This house is fucking creepy... KEMPER Did you just notice that? PEPPER Andy? Andy, where are you? Pepper walks over to the closed sliding door and knocks on it. PEPPER Andy? Silence. Everyone else looks around as Pepper starts to turn around, but sees the door to the basement. PEPPER Guys, I'm going back in the basement to see if he's there. ERIN I'll check upstairs. The rest of you can join Pepper. She needs all the help she can get. They all nod as Erin walks off. Pepper opens the door and starts to walk down the stairs, followed by Kemper and Morgan. INT. BASEMENT_OLD HOUSE_(CONT.) Pepper takes the lead, followed by Morgan and Kemper. They all look around while the steam continues to rise from the pipes. A bang can be heard from behind the closed door ahead of them. PEPPER Andy? MORGAN Face it, he's not here. We've been down here before. KEMPER Shut up, Morgan and just look for him. PEPPER Andy? Where the hell are you? INT. UPSTAIRS_OLD HOUSE_(CONT.) Erin walks around the hallways, searching the rooms, but finds nothing. ERIN Andy? Andy, are you here? Nothing. A small creak can be heard downstairs, and Erin rushes towards it. She runs down the stairs only to find the same old INT. HALLWAY_OLD HOUSE_(CONT.) Nothing. Erin looks around, but there is no one there. She turns to the left of the stairs and walks into the INT. DINING ROOM_OLD HOUSE_(CONT.) She looks around to see the same box. She looks ahead to see another phone in the corner! She runs towards it and picks it up. Her smile soon turns into a frown. She slams down the phone and sighs. She pulls back her hair and walks back into the hallway. INT. BASEMENT_OLD HOUSE_(CONT.) Pepper looks at the smoky, water filled pipes as Kemper and Morgan suddenly jump back as a loud footstep can be heard. KEMPER What the hell... PEPPER Andy? Is that you? MORGAN It's not Andy, Pepper, get over it. PEPPER Andy!? Another footstep can be heard and Kemper steps out. KEMPER All right, that's it, if somebody's out there just come on out! Silence. Another footstep can be heard. Kemper steps out again. KEMPER Come on out now! There is a loud bang and the group jumps as they turn and see Erin, standing on the stairway. ERIN What the hell is going on? KEMPER Let's just get out of here. PEPPER What about Andy? I'm not going to leave him! KEMPER We'll go back to the van and if he doesn't show up in an hour or so, then we'll go look for him. PEPPER It would be just as easy to look for him now! MORGAN Just shut the fuck up and let's get out of here. Pepper stares at Morgan for a second, and then storms out on the rest of them. In a second, they all follow her all the way up to the INT. HALLWAY_OLD HOUSE_(CONT.) They all step out of the basement door and quickly shut it. Pepper stands, looking at everyone. PEPPER All right, but if he doesn't show up I swear I am coming back here. MAN (O.S.) Oh no you won't! They all jump and turn around to see GRANDPA DRAYTON SAWYER, an old man in his late seventies. He sits in a wheelchair and smokes a cigar. DRAYTON What the hell are you doing in my house? Drayton slams down a large cane and stares at them. ERIN I'm sorry...We were only looking for a phone. DRAYTON I don't have one. Get out now. ERIN Please, we need to call the police. DRAYTON Unless you have a good reason for trespassing, there is no way I am going to let you use the phone. KEMPER Look, our car broke down and a friend of ours is missing. Not to mention a hurt girl. DRAYTON Go find another phone. And get out of my house. Erin, Kemper, Morgan, and Pepper make their way towards the door. They all walk out except for Pepper. PEPPER We just wanted to use the phone. DRAYTON I don't really think that was a good enough excuse so get the hell out of my house. Now. PEPPER Is it illegal to ask someone for a simple phone call? DRAYTON Get out. As Pepper walks out of the door, she gives Drayton the finger. He smirks as the door slams shut. EXT. OLD HOUSE_FIELD_(CONT.) They all step down from the porch and stand still. ERIN What do we do now? KEMPER We go back to the van and wait. MORGAN We can't go back here! Not with that crazy bastard hanging around here! PEPPER So you're saying we just have to wait at the van until he shows up? Hell no! I am not going to sit on my ass waiting for him to get back, which will probably take hours! I say we search for him now! KEMPER There's nothing we can do now. Kemper starts to walk away. Erin shrugs and walks with him. Morgan joins them. Pepper stands still. A small tear forms in her eye. She wipes it and looks back at the house. She sighs and walks off with the group. FADE TO: EXT. VAN_LONELY COUNTRY ROAD_SUNSET We watch the sun as it comes closer towards sunset. We pan into the windows of the van very quietly. INT. VAN_LONELY COUNTRY ROAD_(CONT.) Everyone is asleep, except for Pepper, who sits up, rocking back and forth and biting her nails. She looks to see Morgan lying down on the mattress and Erin holding onto Kemper's waits as she sleeps. Kemper's face is turned towards Erin's face. It's like it's the perfect image...The perfect couple. Pepper sighs and slides open the door. She looks at everyone and sighs. PEPPER I'm sorry. She bites her lip and then shuts the door quietly. FADE TO: EXT. OLD HOUSE_LONELY FIELD_(CONT.) We watch as Pepper comes closer and closer towards the house. In a matter of seconds, she reaches the EXT. PORCH_OLD HOUSE_(CONT.) She looks around and then knocks on the door. Silence. She knocks again, but still nothing. She sighs and opens the screen door, walking right into the INT. HALLWAY_OLD HOUSE_(CONT.) Everything is the same as it was the last time we saw it. She looks around but sees no one. She looks upstairs but there is no sound. She sighs and stands in the middle of the hallway. PEPPER Andy? Silence. She walks towards the closed sliding door and stands right next to it. She puts her ear on it to hear a few loud bangs and footsteps. She knocks on it. PEPPER Andy? Suddenly, the noises stop, and Pepper knocks again. PEPPER Andy, are you down there? More silence. She tries to open it, but there is no handle or anything to try and open it. She looks around and makes her way into the INT. KITCHEN_OLD HOUSE_(CONT.) She looks around but finds nothing. She opens a drawer and pulls out a long knife. She runs back to the INT. HALLWAY_OLD HOUSE_(CONT.) She sticks the knife in the slit of the sliding door and pulls to the left. Slowly, the door forms a crack, big enough just so she can open the rest of it with her hands. She throws down the knife and slides open the door, revealing two flights of stairs. She looks around and cringes. She steps inside and turns the corner and walks down the stairs. INT. DARK ROOM_OLD HOUSE_(CONT.) Pepper makes her way to the bottom of the old, wet cellar and continues to look around. PEPPER Andy? There is pure silence. She looks ahead, only to see a table full of weapons, an apron, and a black door way in the back. She looks around and sees another door to the left of her. She walks towards it slowly, still looking around. As she walks in, she sees all the bloody hooks hanging from the ceiling. PEPPER Jesus... She steps further into the room and looks back. PEPPER Andy? More silence. A loud bang can be heard from behind her. Pepper runs out of the room and heads towards the black door in the back of the room. PEPPER Andy? Suddenly, the door swings open, and Leatherface stands there! Both Pepper and Leatherface scream horribly! Pepper runs towards the stairs with Leatherface running after her! He suddenly grabs her by the waist and drags her to another room. She screams and kicks madly as she puts his hand on her mouth. He finally makes his way to the room with the hooks, still holding Pepper. Pepper turns and sees the horrifying sight and continues to scream. Slowly, Leatherface pulls Pepper closer and closer to the hooks. She closes her eyes and screams as Leatherface sticks her onto the hook! She screams and tries to pull herself off but can't! Leatherface covers his ears and screams himself as we FADE TO: INT. VAN_LONELY COUNTRY ROAD_(CONT.) Erin stirs as she wakes up and slowly opens her eyes. Morgan and Kemper are still asleep...but Pepper is missing! She shakes Kemper. ERIN (loud whisper) Kemper! Kemper, wake up! KEMPER (groans) Hmm...? Erin, what's wrong? ERIN Pepper's gone. KEMPER What do you mean, gone? ERIN What do you think I mean by gone? She isn't here! KEMPER Okay, calm down. I'm sure she's fine. ERIN Oh, God...she could get herself killed out here! KEMPER I'm sure she just went looking for Andy. A groan behind them from Morgan startles them both. MORGAN (sleepily) What's going on? ERIN Pepper's missing. MORGAN (coming fully awake) What? KEMPER Erin, we don't know that for sure. MORGAN But, she isn't here? ERIN Of course she isn't here, moron! MORGAN Don't fucking call me a moron! KEMPER Enough! Shut up, the both of you...what time is it? Morgan looks at his watch. MORGAN It's almost eight. ERIN I'm gonna go look for her. Anyone coming? KEMPER I'll go. MORGAN Me too. I'd rather go with you guys than stay in this ratty old dump. They all make their way to the sliding door of the van and open it, stepping outside quietly. They slam the door and go walking off. We watch them from the window. INT. OLD HOUSE_SUNSET The group makes there up the old house's porch and knocks on the door. There is silence. MORGAN Why don't we just go in, she's probably already in there. KEMPER Just go in. Erin sighs and opens the door. INT. HALLWAY_OLD HOUSE_(CONT.) The group walks in the house slowly. They all look around. KEMPER Pepper? You in here? MORGAN Listen, I'd love to stick around and wait for Pepper and all, but if that old man comes out again, we're fucking dead. ERIN I'm not leaving. Not until we find Pepper and Andy, okay? Morgan rolls his eyes and walks down the hallway. Erin and Kemper move to the INT. DINING ROOM_OLD HOUSE_(CONT.) Everything remains the same. KEMPER If I see that old man again, I'm getting the hell out of here. ERIN I've never seen such a family with so many collectables before. Not even my grandmother could afford shit like this... Kemper continues to look around while Erin accidentally drops an old porcelain doll. ERIN Shit... Erin leans over to grab it when suddenly, they both hear a loud bang. Erin quickly jumps up. ERIN Morgan? Kemper look at Erin as they both run out into the INT. HALLWAY_OLD HOUSE_(CONT.) ...Where they both run smack into Morgan. They all jump. ERIN Was that you? MORGAN No, I was just about to ask you the same thing... They all look at eachother. ERIN I'm gonna look upstairs. MORGAN You sure love it up there, don't ya? Erin smacks Morgan. She runs upstairs and Kemper joins her. Morgan rolls his eyes as another loud bang can be heard. He turns around to see the closed sliding door. He walks towards it slowly. MORGAN Pepper? Andy? Silence. MORGAN I'm in the no mood for games so stop goofing on me... More silence. He starts to turn around when there is another loud bang heard from behind the door. Morgan walks towards it slowly and looks into the peephole. Silence. He steps back and continues to look at the door. He knocks at it. MORGAN Andy? Pepper? Where the hell are you? Morgan looks around and suddenly sees the knife lying on the floor where Pepper had left it. He picks it up and sticks it in the slit of the sliding door and pulls. The door slides open. Morgan falls on the floor and the knife comes close to hitting his leg. He kicks it away and stands up. He looks around and makes his way into the sliding door. INT. DARK ROOM_OLD HOUSE_(CONT.) Morgan makes his way down the familiar stairs and walks into the dark room. He looks around and covers his nose. He looks up as a drip of water falls on his face. He wipes it off and cringes. He continues to look around and spots the door in the back of the room. He walks towards it slowly and finally makes his way in front of it. He slowly opens the door and we watch him from inside the INT. ROOM_OLD HOUSE_(CONT.) The room is very dark, and Morgan makes his way farther and farther into the room. He looks around but can't see a thing. He finally grabs the handle of a light and pulls it. A single light bulb hangs from the middle of the ceiling, peering its light across four dead teens! Two of them are Pepper and Andy. They all lay on more hooks that are held up by wire. MORGAN HOLY SHIT! Morgan steps back and covers his mouth. INT. DARK ROOM_OLD HOUSE_(CONT.) Morgan steps out of the room and slams the door. He leans against it and covers his mouth. He breathes deep. He makes his way towards the stairs but is stopped at Leatherface appears! Morgan screams and suddenly looks around for a way to escape. A single rectangular window can be seen to the right. He runs towards it and breaks it open. Leatherface runs after him, also screaming as well. Andy is half and half through the window. Leatherface grabs his legs as he kicks. Leatherface is kicked back as Morgan pulls out of the window! Leatherface screams and runs up the stairs. EXT. BACKYARD_OLD HOUSE_(CONT.) Morgan breathes deep and looks up. He is standing at the side of the house. He runs into the backyard where he runs into the clothesline of dry sheets. He looks back every second to see if he's alone. MORGAN ERIN! KEMPER! Silence. The sheets are blown by the wind. He hears a noise and continues to run. He suddenly falls to the ground and looks up. No one is there. As he stands up, he continues to run forward when we suddenly see Leatherface standing in front of him! Morgan screams as Leatherface raps the clothesline around his neck! Morgan tries to pull it off, but can't. He breathes deep and tries to kick away. MORGAN (whisper) Erin... Leatherface pulls the wire closer and closer to Morgan's neck. He can barely movie anything. Morgan reaches out, but can't seem to do anything else. Suddenly, Leatherface lets go, and Morgan falls to the ground. He slowly turns around and holds on to his neck. He coughs horribly. As he looks up, he sees Leatherface, holding the opposite end of a hammer! Morgan tries to scream but is still in pain. Suddenly, the hammer comes crashing down into Morgan's head, splattering blood all across the white sheets, which continue to be blown by the wind. INT. UPSTAIRS_OLD HOUSE_(CONT.) Erin and Kemper continue to look around the upstairs bedrooms, only finding nothing but old furniture, old broken dolls, and chicken feathers everywhere. Erin walks deeper and deeper into the dark hallway and suddenly turns a corner into another room. A slight noise can be heard from inside of it. She knocks and puts her ear to the door. ERIN Andy? Pepper? Silence. She knocks again and there is another loud noise. ERIN Open the door you guys. I know what you're doing in there...Come on...open the door! Suddenly, Erin busts open the door and she goes falling into the INT. BEDROOM_OLD HOUSE_(CONT.) Erin coughs and looks up to see many different kind of human bones being hung by a string from the ceiling. She looks down to see that the room is covered in feathers. She looks up to see five small cages sitting in mid air by string, all containing one chicken. They all make noises and try to get out of the cages. They all peck at the cage. As Erin looks around and continues to cringe, so looks ahead to see a couch made completely out of human bones. She coughs and stands up, wiping all the feathers off of her. She runs out of the door. ERIN KEMPER! INT. HALLWAY_OLD HOUSE_(CONT.) Kemper pops up from behind a door and catches Erin as she falls into his arms. KEMPER What, what's wrong? ERIN We have to get out of here. We need to get Morgan and get out of here. KEMPER Why? What happened? ERIN These people are fucking crazy that's what now let's go! Erin grabs Kemper's hand and they both go running down the stairs and into the INT. HALLWAY_OLD HOUSE_(CONT.) ERIN Morgan! KEMPER Where are Andy and Pepper? ERIN I don't know but if they're not at the van then god knows where the hell they might be. MORGAN! Kemper wonders around the house, searching for Morgan. He is nowhere to be seen. ERIN Morgan, where the hell are you, come on! There is no noise but the sounds of Kemper's footsteps. KEMPER Come on. Kemper grabs Erin's hand and they both go running at the sliding door. KEMPER (knocking) Morgan!? Are you down there? ERIN Morgan! We have to get out of here, this isn't funny! Open the door! Suddenly, a loud bang can be heard and Kemper and Erin turn around immediately, seeing Drayton sitting in his wheelchair in the middle of the hallway. The sound was of his wooden cane banging against the floor. He continues to smoke a cigar. DRAYTON I told you to stay the hell away from my house! ERIN Where is everybody? DRAYTON What are you talking about? KEMPER Our friends! Where the hell are our friends!? DRAYTON No one has been in here besides you. ERIN Bullshit! My friends were in here and I want to know what the hell you did with them!? DRAYTON If you keep talking to me like that, young lady, I'll have you both arrested for trespassing! This is private property! KEMPER We just want to know where our friends are, then we'll leave you alone, okay? DRAYTON Get out. ERIN Not until we find our friends! Suddenly, the sliding door behind the swings open, and they both turn around to see Leatherface! Erin screams with fright! KEMPER Jesus Christ! Leatherface screams as Erin and Kemper run towards the door. EXT. PORCH_OLD HOUSE_(CONT.) Erin swings open the door and runs out. She turns around to see Kemper fall to the ground! ERIN KEMPER! Kemper tries to get up, but can't. Leatherface makes his way closer and closer towards him. Erin runs up the stairs and grabs Kemper's hands. She pulls as hard as she can until he finally makes free, just escaping the clutches of Leatherface! Erin and Kemper run into the field as Leatherface covers his ears and screams and Drayton laughs hysterically. We fade out the laughter as we FADE TO: EXT. VAN_LONELY COUNTRY ROAD_(CONT.) It is nearly dark, and no sounds can be heard whatsoever. We watch as Erin and Kemper run towards the van, sliding the door open and climbing inside very quickly. They shut the door as we slowly pan up from the quiet lonely highway. INT. VAN_LONELY COUNTRY ROAD_(CONT.) Erin lies on the mattress, crying while Kemper sits at the wheel, covering his eyes and wiping away the sweat from his forehead. ERIN (crying) Jesus Christ, Kemper... Kemper looks back at her. They both breathe hard. ERIN What the hell are we suppose to do!? KEMPER Do you think that they have Jane and everyone else? ERIN I wouldn't think of anything else...Kemper, what the hell are we gonna do! The van doesn't work and our friends are fucking missing! Erin cries and lies down on her side on the mattress. She cries as Kemper stands up and lies down next to her. He pulls back her hair and whispers into her ear. KEMPER Hey...I'm not going to let anything happen to you, okay? Erin continues to cry, but looks up into Kemper's eyes. She nods and let's Kemper pull her into his arms. She hugs his waist as we pan away from them, going out the window and into the EXT. LONELY COUNTRY ROAD_(CONT.) We watch from the sky as the sunset slowly becomes to turn dark. Our heroes find themselves in another world as they lie down in the van on the lonely stretch of country road. FADE TO: EXT. VAN_LONELY COUNTRY ROAD_NIGHT Crickets chirp in the background as we pan in on the lonely, deserted van. INT. VAN_LONELY COUNTRY ROAD_(CONT.) The van is completely silent. Erin sleeps on the mattress with Kemper lying next to her, his arm around her waits. They both sleep quietly. Slowly, Kemper stirs and looks around. He looks down at Erin and kisses her forehead. She moans and turns around. He smiles and sits up. He wipes his eyes and looks at his watch. 9:35 He sighs and sits up in the driver's seat. He looks ahead of him and sees nothing but the lonely country road. He tries to start the van, but it just stutters. He leans back and hits the steering wheel. He looks back and suddenly smacks his head. KEMPER (whisper) Stupid fuck. He smiles and laughs. He crawls into the backseat and reaches behind the mattress. He lifts up a few bags and suitcases and finds a plastic milk bottle full of gas. He takes it and slides open the door. He looks at Erin, smiles, and shuts the door. We look at Erin for a few moments, then CUT TO: EXT. VAN_LONELY COUNTRY ROAD_(CONT.) We watch as Kemper makes his way to the side of the van and opens the gas tank. He opens the milk bottle and dips it into the gas tank. He looks around to see nothing but open fields and the still lonely road. He finishes up filling up the tank and throws the plastic bottle in the middle of the road. He puts the cap back on the tank and opens the driver's door. He steps inside and shuts the door quietly. INT. VAN_LONELY COUNTRY ROAD_(CONT.) He looks back and sees Erin sleeping silently. He sighs and reaches over to start the car but can't find the car keys. KEMPER Shit... He looks around but can't find them. He sits up and makes his way to the back of the van. He taps Erin on the shoulder and waits for her to wake up. KEMPER Erin...Erin, wake up... Erin's eyes suddenly open and she sees Kemper sitting above her. ERIN Hey... KEMPER Hey...I just found a bottle full of gas in the back. ERIN You're shitting me. KEMPER No. But now I can't find the keys. Do you have them? ERIN No...I thought you had them. KEMPER That's why I'm asking you. Did anyone take them for some reason? ERIN I don't think so...Everyone was with us...No one could have taken them except for- Silence. Erin's mouth hangs open. KEMPER What is it? Who took them? ERIN Jane...You said Jane wasn't here when Pepper came back, right? Kemper looks up. His mouth drops open. KEMPER Why would she take the keys? ERIN I don't know. But wherever she is, I'm going to go look for her. KEMPER Erin, you can't! ERIN Why not? KEMPER It's pitch black outside and you might get lost! ERIN Didn't you bring a flashlight? Kemper sighs and looks around. He opens a bag and pulls out a flashlight. He switches it on and shines it on Erin's face. ERIN Let me see it. KEMPER I'm coming with you. ERIN Okay, but let me hold the flashlight. Kemper reaches over and hands the flashlight to Erin, who slides open the door and steps out. Kemper follows her and shuts the door on the way out. EXT. VAN_LONELY COUNTRY ROAD_(CONT.) They both look around. Erin starts to walk the opposite direction of the house. Kemper follows her. KEMPER This is crazy, you know that? She could be anywhere out here. ERIN She could be at that house but I'm not going back there. KEMPER Why the hell would she be at that god-forsaken house? ERIN I don't know. Why the hell couldn't we find everybody, huh? KEMPER Erin, this is crazy. Jane wouldn't take the keys in the first place. ERIN She could and she couldn't have, but I'm not taking any fucking chances. I'm looking for her. KEMPER If we don't find anything we're just going to have to wait in the van until morning. ERIN Whatever you say. Kemper sighs as they both continue to walk. KEMPER I'm sorry this trip has turned into such a wreck. ERIN It's not your fault. It's not anyone's fault. KEMPER I still want to apologize. This isn't exactly what I planned on doing. ERIN I know, Kemper. Even though you didn't cause any of this, I accept your apology. Kemper stops Erin from walking. They both look into eachother's eyes. He holds her chin and brushes back her hair. KEMPER I promise none of this will happen again. ERIN Kemper... KEMPER Shh... They both come close and kiss passionately. They pull back and look at eachother. ERIN I love you. Kemper smiles and kisses her again. KEMPER Come on. Kemper continues to walk. Erin flows him, pointing the flashlight in front of them. They suddenly enter the dark woods. KEMPER Erin, let's just go back. ERIN I need to find her. We need to get those keys and get the hell out of here. Kemper stops walking and Erin walks into the woods. He stands still. Erin looks back at him. ERIN Come on. Kemper sighs and walks in with her. She reaches out her hand and soon they are walking into the woods, hand-in-hand. EXT. WOODS_LONELY COUNTRY ROAD_(CONT.) We watch as Erin and Kemper walk deeper and deeper into the woods. Erin shines the light everywhere, but nothing else can be seen but branches, bushes, leaves, and old, dead trees. They both look around every few seconds, but always see the same old thing. KEMPER Erin, I don't think we're going to find much out here. ERIN Let's just keep checking. KEMPER Why don't we just go back? ERIN We can't go anywhere in the van unless we have the keys. Now we have to find her. KEMPER How do we know if she even has them? ERIN Who else could have them? Didn't you leave them in the ignition when we left? KEMPER Yeah, but- ERIN No one was in there after we left except Jane, and she was gone when Pepper came back. How can you explain that? KEMPER I can't. Let's go. Erin looks at him and then looks back ahead into the woods. She sighs and they continue to walk. ERIN Something has got to be out here. KEMPER We are definitely not going back to that house. ERIN No shit. They might be there, but I'm not taking any chances. We need to find somebody else than those creeps. As they walk, the sound of a branch breaking can be heard from behind them. They both turn around and Erin shines the flashlight directly ahead of them. KEMPER What the hell was that? ERIN I don't know...